Barry Lyndon
1975 Nominee

100 Words
There is A LOT of cleavage in this movie, some of which involves a plot point. While it’s not my favorite Kubrick film (sorry, Andrew), it does feature Kubrick’s “pull-out method” camera work and every shot looks like a painting. There isn’t much of a Love Story to be found here, but O’Neal pulls off an Irish accent and survived working with Stanley Kubrick to boot (to boob?). The story details a man whose cousin chooses another over him (after giving him a ribbon in her boobs). He gambles. He lies. He cheats. It’s all the same in the end.